Roberto Doveris' werewolf tale "Blood Red Nails," two doc-features - Cristobal Valenzuela's Black Cocaine" and Agustín Flores' "The Curve" - and Málaga Fest hit "The Night is a Farce" look like potential standouts at a wide-ranging Sanfic WIP Iberoamericana, which underscores new production models on the rise in Latin America and beyond. Part of [...]