Landmarks, Nuestra Tierra Venice Film Festival Share on Facebook Share on X Share to Flipboard Send an Email Show additional share options Share on LinkedIn Share on Pinterest Share on Reddit Share on Tumblr Share on Whats App Print the Article Post a Comment Lucrecia Martel's beguilingly sensuous dramas have depicted her country's class and racial fissures in numerous ways, whether historically (Zama), psychologically (The Headless Woman), or in the form of a summer vacation flick (La Ciénaga) so languid and sultry, you could almost feel the sweat dripping off the celluloid.