There's a deliciously pulpy hook at the heart of Jerax. A photocopy machine that doesn't just replicate documents but, in true sci-fi mischief, duplicates realities. It's the kind of idea that feels both absurd and instantly cinematic, the sort that pulls you in before you've had time to question it. Director Srinidhi Bengaluru recognises that instinct and builds the series around it, letting curiosity drive the narrative. But like the machine it revolves around, Jerax keeps generating versions of a sharper, more probing show it never quite becomes.