For Karim Aïnouz, making "Rosebush Pruning" was uncharted territory. The film marks the first foray of the Brazilian auteur - known for his contributions to queer cinema ("Futuro Beach," "Motel Destino") and uniquely moving dramas ("The Invisible Life of Eurídice Gusmão," "Firebrand") - into the genre of satire. But as the world locked down during [...]