'Leviticus' Share on Facebook Share on X Google Preferred Share to Flipboard Show additional share options Share on LinkedIn Share on Pinterest Share on Reddit Share on Tumblr Share on Whats App Send an Email Print the Article Post a Comment Neon is continuing its streak of picking up Sundance's splashiest horror titles, having acquired this year's resident Midnight section breakout, Leviticus. The Australian thriller will join a library that includes 2025 Sundance standout Together and Steven Soderbergh's 2024 ghost story entry Presence, which also premiered in Park City. Adrian Chiarella directs the Aussie movie that follows Naim (Talk to Me's Joe Bird), a quiet teenager in a fanatical religious community who becomes haunted by a supernatural force that takes on the form of the person he wants the most, his schoolmate Ryan (Stacy Clausen). Related Stories Movies 'The Weight' Review: Ethan Hawke and Russell Crowe in a Depression-Era Crime Drama That Undersells Its High Stakes Movies Guillermo Del Toro Wows Netflix's Sundance Party With Intimate Surprise Performance THR's Sundance review of the film calls it "a stylish, urgent allegory," going on to compare the title to fellow allegorical horror titles Talk to Me and It Follows. The film is produced by Talk to Me producers Samantha Jennings and Kristina Ceyton at Causeway Films, which also financed the film. Hannah Ngo also produced. Neon, which recently acquired Alex Ullom's horror Feature 4×4: The Event, plans to release the film theatrically later this year and will represent the international sales rights to the film. The deal, negotiated by WME on behalf of the filmmakers, marks the first major pick-up of the 2026 Sundance Film Festival, the festival's last in Park City. The Sundance market has been otherwise quiet, with Olivia Wilde's directorial effort The Invite the other major title generating buzz at the moment. THR Newsletters Sign up for THR news straight to your inbox every day Subscribe Sign Up Sundance Film Festival Reviews 'In the Blink of an Eye' Review: Rashida Jones, Kate McKinnon and Some Cavemen Teach Us a Maudlin, Obvious Message About Life Netflix The First Look at Long-Awaited 'KPop Demon Hunters' Toy Lines Is Finally Here International Film Festival Rotterdam 'The Prophet': A Pastor Turns to Witchcraft in a Cinematic Meditation on Doubt, Darkness, and "Shiny Objects" united kingdom BAFTA Noms Spotlight Interest in "Activism, Black Identity and Corruption," Says CEO Jane Millichip united kingdom Chloé Zhao Makes History as 'Hamnet' Becomes BAFTA's Most-Nominated Film by a Female Director international BAFTA Film Awards Go on a Thrill Ride as 'One Battle After Another' Leads 'Sinners' by One Nomination Sundance Film Festival Reviews 'In the Blink of an Eye' Review: Rashida Jones, Kate McKinnon and Some Cavemen Teach Us a Maudlin, Obvious Message About Life Netflix The First Look at Long-Awaited 'KPop Demon Hunters' Toy Lines Is Finally Here International Film Festival Rotterdam 'The Prophet': A Pastor Turns to Witchcraft in a Cinematic Meditation on Doubt, Darkness, and "Shiny Objects" united kingdom BAFTA Noms Spotlight Interest in "Activism, Black Identity and Corruption," Says CEO Jane Millichip united kingdom Chloé Zhao Makes History as 'Hamnet' Becomes BAFTA's Most-Nominated Film by a Female Director international BAFTA Film Awards Go on a Thrill Ride as 'One Battle After Another' Leads 'Sinners' by One Nomination